South Asian Jazz (Review)

South Asian Jazz in Architecture (Event Review)

Event: disContinuous Threads: Memory, Freedom and Architecture in Contemporary India, Conference at National Centre for Performing Arts [NCPA], Mumbai, December 10–12, 1997

Traditional Warli House, Thane Dist. Maharashtra, India

Warli hut built by self-help and community participation; it is truly green, organic and sustainable; its technology standards are unsurpassed any civilized society until now.

What is Architecture

Architecture is Mother of All Arts(!)

Proverb among Indie-architects

PEOPLE ENERGY

Key Words: Indian Westernized Architecture, Contemporary Western Architecture, Biodiversity, Culture

‘THREADS’ certainly bring to our mind Kabir the weaver and Namdeo the tailor, and others of Indian high culture. This is in contrast to the present Western and contemporary westernized Indian notion of wealth, consumption and market economy.

EMPERORS PASSED AWAY, but Kabir, Tukaram likewise other saint-poets continue to rule for centuries. However, history books made by the British-made Indian schooling, are crammed with wars, murders and murderers. Even an unassuming village traditional doctor is cautious to give away his formulas of traditional herbal medicines to guard, of course, against misuse, namely by moneymaking, desecration, exploitation… This is in contrast to western culture of ‘Intellectual Property Rights’. A question of morality!

THE ARCHITECTS who gathered for the conference came from India, Pakistan, Bangla Desh and Sri Lanka. They belong to the First World of minority. We are well aware the architecture, modern architecture, in the subcontinent is an extension, a tail end of western architecture.

IN MODERN ARCHITECTURE there is neither North nor South, nor West or East. It is a one-dimensional world where the world is flat for the architects who struggle to create two-dimensional images of three-dimensional space, unaware that they are being manipulated by the Super-strings of Corporate Powers.

The professional ladies and gentlemen here, gathering and splitting threads at the conference, were speaking alien language, and referring to Kant, Kahn… aesthetics, technology… cults and post-modern-cults, and reflecting western concepts mostly at a gross level of existence.

Some tried typically to capitalize on poverty in fashion. Language matters when one speak of regions. Language and culture are so intimately entwined; they are “almost one and the same thing” (Pagel) [1]. Yet when we dig the buried past (Harappa etc.) we try to read cultures of the bygone times from its artefacts, architecture irrespective of its being good or bad.

IN THE INDIAN SUBCONTINENT there are about fifty - sixty social and cultural sub-groups, a great warp and weft, and numerous mother tongues, many more times than the officially recognised and state-supported languages. As is said, the shades of languages change at ten miles.

As the ecologists have long known, that from the poles to the Equator the number of different species of flora and fauna increase… so also in the size of territory the species range over… both these ecological rules also apply to languages [2]. This is perfectly in harmony with rich biodiversity of land and waters of the sub-continent.

Now the folk languages, rich with traditional wisdom and knowledge accumulated over many lifetimes are on the way of extinction together with arts, crafts and indigenous architecture following the extinction of the plants, birds, animals, insects…following the extinction of indigenous food grains, replaced by hybrid culture.

“Languages began dying in droves from late 15th century onwards as the Europeans colonized the world. Some languages died because of mass killings of ethnic communities. Each time a language dies we lose something we do not even understand (Woodfield)…we loose a way of perceiving the world…a way of learning (Pagel) [3].

Only trade is global; culture and cultural expressions cannot be global. Even the currencies cannot be global. Then how could architecture be global? Architects may have to deliberately and constantly watch out how every point and line put on the paper or computer screen affects land and waters, and the people.

High on agenda of Western high culture of ‘development’ is to disintegrate and dis-empower the people and turn them into zombies – programmed robots of mono-culture of mass-type society for the greed of power and profit.

IS CREATIVITY A PREROGATIVE OF A FEW – Corbu, Kahn, Gehri…? Aesthetics for that matter is a clouded issue due to social-cultural-economic issues, geography, urbanism, high culture, mass culture, and Environment-Ecology-Energy crisis. Centuries ago Kabir – Tukaram – Chokhamela challenged the gross concept of aesthetics by giving examples of plants – sandalwood, clove, sugarcane etc.

Beauty – Truth – Bliss – Love is not the opposite of ugly – lie – pain – hate. But to speak of this area is a taboo. It is so, for simple reason that this area cannot be institutionalized. Discourses by gurus though are institutionalized.

Somewhere in the development process we have lost ‘rt’ – good – the noun was replaced by adjective. However ‘rt’ is beyond definition, though science is not. Science continues to discover the ‘Frontiers of Ignorance’ [4].

Architects of the sub-continent are still chained to, caught up in and victims of orthodox view of modern architecture. “Development of modern architecture suggests it has taken us about four thousand years to progress from pyramid to a box’ says Papworth [5]. While modern architecture seems to have lost direction and people all over the world are facing identity crisis, it displays architect’s signature, sometimes that of the corporate client, hardly of the user.

Merely adopting effects and epithets of vernacular is not enough. It was Einstein who said that you couldn’t expect to solve a problem within the mind that created it [6] (quoted by Edward Goldsmith).

Architecture today is a goldfish in a glass bowl. It is time now to let loose the goldfish into the stream. Rest will take care of itself. But that demands morality, dignity and integrity. Do architects and scientists perceive that they are tools in the hands of empires of development, which control the access to the resources? In search of architecture the major task is to humanize and democratize the community … ‘but you cannot have morality without community. Without community morality becomes humbug’ (John Papworth) [7].

THE CONCLUDING SESSION was a deflated event like afterbirth. It did not reflect the preceding part of this grand South Asian Jazz, which was coupled with occasional Shahanai – Pakhavaj of Shubhendu Kaushik.

There were no issue/s at stake at the event.

It is understood that the participants had to put their perceptions, experiences and references within the limitation of period of time, words and visuals in their presentations, discussions (and this review, too) cannot cover entire gamut of the theme of the conference.

THE MAJOR CHALLENGE today in the context of the theme is to free both, land and waters and community, which are shattered and disintegrated in the cobweb of market and its allies. Let loose the goldfish of architecture from the glass bowl into the stream of community.

Remigius de Souza
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Referances and Notes

1 Vines, Gail. ‘Death of a mother tongue’ New Scientist, Jan 6, 1996, p.25
2 ibid. p 26
3 ibid. p.27
4 Theme of the 125th anniversary issue of Nature, 3.11.1994
5 Papworth, John. ‘Shut up and Listen – A new handbook for revolutionaries’, Academic Inn, London, 1997
6 ibid. Preface
7 ibid. p.4

[Published in Janata Weekly, Mumbai, March 15, 1998, P.11-14.]

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Man And Nature (Within And Outside)

Man And Nature (Within And Outside)

ARCHITECTURE AND BIODIVERSITY IN INDIA: 

A Context to Aesthetics in Our Times

Presentation accompanied with the paper
“ARCHITECTURE AND BIODIVERSITY IN INDIA:
A Context to Aesthetics in Our Times”,

presented to PAITHRUKAM 2004: Seminar/Workshop on “Aesthetics in Indian Architecture: Past, Present and Future”, at MES College of Architecture, Trissure, Kerala.

Author: Remigius de Souza 14 OCT 2004

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Man  And  Nature  (Within  And  Outside)

More PowerPoint presentations from Remigius de Souza

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Note: Link to the full text of the paper ARCHITECTURE AND BIODIVERSITY IN INDIA
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Essays in early Indian architecture (Book Review)

Essays in early Indian architecture
Author: Ananda K. Coomaraswamy  
Edited by Michael W. Meister 
Publishers: Indira Gandhi National Centre for Arts, New Delhi, and 
Oxford University press, Delhi, Bombay, Calcutta, Madras. 1992 
| Price: Rs 400/- pp xxviii, 151 | Illustrations: 164.

“Vastu, add the meaning, “real estate” (Meyer, “Liegenschaft”): “Vastu includes houses, fields, groves, bridges (or ghats, setu-bandha), ponds and reservoirs,” Arthasastra, III, 8”(A. K. Coomaraswamy, Indian Architectural Terms, P. 97)

THE BEGINNING OF 1993 saw two significant events in Indian architecture.
The INGCA and OUP made available five essays by Ananda Kentish Coomaraswamy (1877–1947) which were earlier inaccessible to the public.
The other event was the theme chosen by the National Association of Students of Architecture (NASA), India, “Back to the Roots” for their national convention held at Bhubaneshwar, Orissa (now Odisha).


Though it may not be perceptible, very few are aware of the Indian ethos in different areas of creative life and expression. But at the end of 20th century, with the imminent fall of ‘industrial civilization’ (or ‘economic civilization’), the awakening of ethnic identity is a global phenomenon. Parallel to the environmental movement, there is a ‘Anti-celebration to Columbus Day’ all over the world, and a new awareness in different disciplines.


The essays by Coomaraswamy reappear when people of India (not the statisticians) are groping for salvation in an ever-increasing chaos. The much sought-after development aping the west has only worsened the living conditions of the people of mainstream India. While this book may pamper the inflated Indian ego, it may be life-saving plank to multitudes in 20th century modernity called consumer civilization.


The common theme of the essays is to present a picture of secular, domestic, urban, rural architecture of India 2000 years ago, the remains of which do not exist because of impermanent nature of materials used. The book is about how the common man’s architecture, a hut of a villager that became a source – a form-giver – and developed into a unique architectural style, complex structural system and highly developed building vocation – into a tradition that materialised in thousands of and continued during the late medieval period under royal patronage (Chapter IV. Huts and related temple types, P 103).


For instance, “Tree-cult”, tree worship which was adopted by the Buddhists in “Bodhi-gharas” was an animistic practice of the people before Aryans came (Chapter II. BODHI-GHARAS, P 19).

Though Coomaraswamy does not mention so, the “Tree-cult” still exists in India in different forms, for example, “Tulasi-vrindavan”, holy Basil (Ocimum sanctum L.) on a platform or in a pot, is a common feature of the Indian household. The plant is known for its medicinal values and is also an organic insecticide. “Brahman” – a banyan tree with a built platform, is a common feature of villages in Konkan region – a well known monsoon forest region on the West Coast of India. “Devarai”, sacred grove, is a “protected forest” by the people for the Indian villagers and forest dwellers, by unwritten law of ancient tradition, though not recognised by the development projects, or by the British-made “Forest Acts” that still continue in modern India.

Why Tree-cult? Coomaraswamy has not posed this question here. Did some visionary scientists or wise men of the aborigine communities initiate tree-worship as a measure of environmental protection?

A. K. Coomaraswamy opens up the first essay on “Cities and city-gates, etc.” with a statement, “…cities are despised and there are no ceremonies for urban life”(P.3). He quotes “It is impossible for one to obtain salvation, who lives in a town covered with dust” (Baudhayana Dharma Sutra, II, 3, 6, 33).

Elsewhere he says, “…but the village is still typical centre of Aryan life” (History of Indian and Indonesian Art, p 15) referring to Maurya period. Indian society has remained agrarian even under the wave of industrialization.

Among several features of city, Coomaraswamy describes city-gates: toranas and gopuras, which were used for protection and security or for honorific and ornamental purposes. In contemporary times, Mr Shankar N. Kanade, architect, has used city-gates in “Jala Vayu Vihar” township at Bangalore (now Bengaluru), enhanced by adding elevated water storage tank. In present day context, more than being ornamental it gives identity to a place in urban chaos; it is a symbol of celebration, besides utility.


Indian Architectural Terms (P. 71 – 99) is a critical essay on two books written by Prof. P. K. Acharya, “Indian Architecture According to the Manasara-silpasatra” and “A Dictionary of Hindu Architecture”. It is a combative but constructive criticism. This essay helps to learn ‘how to criticise and how to take it, and gives access to ‘meanings’ of the terms.

Take the term much in currency these days, Vastu, for example: “Vastu, add the meaning, “real estate” (Meyer, “Liegenschaft”): “Vastu includes houses, fields, groves, bridges (or ghats, setu-bandha), ponds and reservoirs,” Arthasastra, III, 8” (P. 97).

He has presented over 100 sculptured relief works in photographs and drawings – some of them restored in exquisite drawings by him, as visual evidence, from monuments built in or carved out of rocks centuries ago. The author referred to textual evidences from Sanskrit, Prakrit and Pali law books, epics and Kavya literature. These reliefs were executed by sculptors, guilds of master craftsmen who documented epics of Indian civilization on stone surface. It is worth noting that the sacred texts were handed over by mnemonic method, though writing was known, for reasons of accuracy, which is still being observed. In the relief sculptures there is no scope for errors or adulteration or manipulations.

The population of India around 1st A.D. was perhaps 30 million or so, with growth rate of probably less than 0.01 percent per annum. As the feudal power over people increased, which is now growing to a global scale through its invisible tentacles, the epic writer in stone is now visibly disintegrated.

What happened to the guilds as the population grew? For instance, the communities of stone-cutters called “Wadar” and “Beldar” living in the slums of cities and towns not far from the famous monuments of Karla, Bhaja, Elephanta, Kanheri etc. and several forts in Maharashtra. Are these the descendants of the guilds of the ancient times? Just as the Brahmin descendants of the sages – Vashishta, Agasti, Vyas, Bhrugu, Vaishampayana etc. whose pedigree has been maintained by the high caste?


What Michael W Meister probably missed in the conversation with Joseph Rykwert is to give 20th century parallel in modern architecture to A K Coomaraswamy’s thesis of “primordial hut as a form-giver” to historical Indian Architecture (Afterword: Adam’s house and hermits’ hut: A conversation, P. 125) . In the twentieth century modern (western) world architecture there are only “master form-givers”, whose works go down as second hand and third hand imitations to the masses: Indeed a true expression of economics of Industrial Civilization that give the fruits of its development and progress, prosperity and powers to the society by the “trickle down formula”. This formula is also applied to the education system to support industrial civilization.

In today’s context, awareness of environment, ecology and energy which are being destroyed at unprecedented rate, Coomaraswamy’s work of timeless quality is all the more relevant, a ground prepared for ‘further work’.

It is a book for all: scholars and architects, planners and politicians, pundits and leaders alike: a collector’s copy. It may also help a new vocabulary – a new form of expression to emerge – a departure from twentieth century architecture and other disciplines (born and developed in the West); a restoration of dignity of labour; a change in planning parameters; a right to manage their own affairs to the local communities. What John Papworth calls, “Democracy after all does not mean government for the people; it means government by the people. We hope, in Coomaraswamy’s words, “…mark a final victory of the conquered over the conquerors” (History of Indian and Indonesian Art, P. 5).

(NOTE: This is an edited version of book review, published in INDIAN ARCHITECT & BUILDER, Mumbai, May 1993, P. 85-86)

Image: Portrait of Ananda Coomaraswamy by Arnold Ronnebeck, 1929. This bust represents Coomaraswamy at about the same he was working on "Early Indian Architecture" and other wor
ks in transition (P. 103).

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Senses and SenseAbility – 6: Smell

Senses and SenseAbility – 6: Smell


Smell goes with breathing, a vital function. Indic people believe that our life span is measured (or decided) by how we breathe – or the number of inhales and exhales, and not by days or calendar years.

It is a common experience that taste, smell and seeing also goes together when food is seen. Smell of food prompts appetite – attraction, or repulsion, in certain environment, for example when we are hungry. Infant wrapped in mother’s sari, as many people do in India, recognizes her smell, not only when she is physically close by.

How does our sense of smell get diluted when in familiar environment, or after we get familiar? For example, pollution of land and water and air – the three vital links to life – and in urban habitat, is unmistakable to nose, though not for our egocentric or helpless mind – whatever we are in social – political – economic hierarchy.

Plants have aromas, and their company on daily basis can rejuvenate our living. But we go on hacking them to make concrete jungles, to build industrial empires etc. for monetary gains. We don’t spare even the forests to make hill stations for our sensual pleasures.

Isn’t it absurd to destroy trees in the urban neighbourhoods, and travel miles away to enjoy nature, or build holiday houses there? Can’t we (or the experts) plan corridors of woodlands for the neighbourhoods in the new town or existing cities that are under revision every twenty years? Such green corridors would give safe passage to wild life (not necessarily tigers) and neighbourhood people would have company of plants and wild life at a walking distance. Instead we put them both in the compartments of reservations. Indeed we are becoming intolerant to other forms of living beings, consequently other humans, which may belong to other caste, class, religion, language, province or nationality.

The thoughtful technology (science, research, industry and trade hand in hand) is ready with remedies – deodorants, cosmetics, drugs… And when we fall to live a life of vegetable, it offers healthcare. We go on pumping deadly toxins in the soil and waters and air in the name of progress and development and economic gains: We neither think of posterity nor improve living of all the citizens on equitable basis.

Plants are helpless because they can’t move. However nature helps them to move far and wide and to propagate by various means, one of them is other living beings (other than man), whom also we eliminate along with plants.

Our love of plants ends with our love for visual aesthetics and imported exotic species, which at times overpower and destroy indigenous species, just like the firangis who came to India to buy spices. Under the influence of our past colonial masters, anything desi – local or indigenous – is detested, though it is Nature-given. I deliberately don’t use the term God-given. How God has messed up our lives, or to put it other way, how we have messed up our lives in the name of God?

Fragrance of Soil rises from the Earth with first shower/s of monsoon, which I relished for decades. But in this concrete jungle of Mumbai it is rare; I feel homesick when monsoon comes. In one of his stories G. N. Dandekar mentions an ascetic presents a small bottle of the perfume containing fragrance of soil to a passionate collector (“Kuna Ekaachi Bhraman Gatha” (Marathi).

Fragrance of Mahuva flowers have left with me their sweet memories forever, which I enjoyed many times during the Holi festivals among the Bhil tribes. Summer is the bloom time for Mahuva trees; the fields, forests, villages, wherever the trees are, are filled with sweet fragrance. So also the fragrance of its precious liquor, which is used on special occasions such their religious rite. The Mahuva flowers are the part of the Bhil’s staple food: vegetables, rotis and biscuits of maize flour… Indeed palm and Mahuva are inseparable part of tribal people.

Collectors of Fragrance: Like honeybees that collect honey, the orchid bees are ardent collectors of fragrance, various fragrances, all types of fragrances; from flowers to woods, decayed woods, even shit, perhaps to impress the females with their collection.

Humans may boast their superiority over the animal world, but they can’t beat orchid bees. Bijal Trivedi informs, ‘talk to any performer and you will discover that brewing a top-selling fragrance is mostly art and very little science. These olfactory connoisseurs travel the world roaming markets, gardens, jungles and rivers to sniff out exotic new scents – their brains trained to tease apart complex odours and describe them in words” (‘Smells rank’, New Scientist, 17 Nov. 2007, p.48-51). And the urbanites that choose to live in urban jungles must surely envy the tribal folks!

It’s plent! It’s all free!! For decades I enjoyed aroma of paddy farms. When you enter Konkan region you can’t miss it if you are travelling by automobile or by railway. During summer, the aromas of cashew and mango in blossom are distinct. Like Mahuva liquor, aroma of feni – cashew liquor – also spreads in the atmosphere.

The rich biodiversity of Indic region provides pleasant fragrances in the environment through all seasons for us to enjoy. And it comes free for all; you need not bottle it like kings and emperors. We have six seasons; the Chinese have twelve seasons: how keen interest the Chinese people must have in the environment. No, we are not talking about the Chinese government; the governments come and go; the civilisations come and go; the people prevail.

Modern city is a parasite, alienated from the nature. Not only does it devour the nature (in land, waters and living beings), but also denies the citizens their kinship with the nature. It becomes increasingly destructive with its growing size; its reach extends beyond and across the continents and the oceans. The modern city is a by-product of Industrial Revolution and handiwork of the centralised powers.

Remigius de Souza
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